Available from here but this time the type is: XLR Female to Y Splitter XLR-M. In this case you would need one or more XLR Splitter cables - one XLR-F feeding two XLR-Ms. The P2 has a high (bridging) input impedance so, if you can persuade some band members to have the same monitor mix, you could save outputs by running them from the same one. Ideally you would use dual TS to XLR-M to allow for easy cable extension but these are not common so may need to be special order or DIY. Connect to the two TRS outputs using a TRS Insert cable. You want the type: XLR Male to DUAL XLR-F. They are quite easy to make but are also available in various lengths from here. They are not the same as Splitter cables. These are sometimes called Insert cables. Connect to the two XLR outputs using a stereo XLR cable (see attached).

Connect to the Phones output using a standard (balanced) TRS to XLR-M cable. Stereo feed from the Phones output (Not usually necessary.) Connect to the console TRS output using a standard (balanced) TRS to XLR-M cable. Connect to the console XLR output using a standard (balanced) XLR cable. It is also quite easy to connect using, mostly, standard cables. The P2 can be configured for mono or stereo operation by an internal switch.

It can drive most types of IEMs or headphones without placing abnormal loads on the console’s outputs. The P2 is a reasonably-priced, compact, battery-operated headphone amplifier. One good candidate is the Behringer Powerplay P2. These challenges can be overcome by the use of a suitable headphone amplifier. There are two challenges with this: Line-level outputs are designed to drive load impedances of at least 600 Ohms and can distort badly when connected to typical IEM/headphones The console outputs are balanced mono so must be adapted to suit the IEM/headphones unbalanced stereo connection. People often ask for advice on the best way to run wired IEM from XR/X32 line-level outputs.

Behringer powerplay p2